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Electro-industrial music, a subgenre that emerged at the intersection of electronic and industrial music, has often been associated with themes of introspection, societal critique, and exploration of the human psyche. While not all artists within this genre address the topic, some have delved into the subject of substance abuse, including drug misuse.

In their lyrical narratives and sonic landscapes, certain electro-industrial musicians have depicted the struggles and consequences of drug abuse. These artists use their music as a platform to shed light on the destructive nature of addiction, portraying the haunting effects on both individuals and society. Through abrasive beats, distorted sounds, and thought-provoking lyrics, they emphasize the chaos and despair that can accompany substance dependency.

However, it's important to note that electro-industrial music's exploration of drug abuse is not an endorsement of such behaviors. Instead, it serves as a means to spark conversations about the harsh realities of addiction and its impact on mental health and well-being. By addressing these themes within their art, electro-industrial musicians contribute to broader dialogues about addiction, treatment, and recovery, ultimately encouraging listeners to confront these issues in a more open and empathetic manner.

We do NOT support Drug Abuse !

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from A Fridge Fulla Bribes - Four Live Mixes, released July 9, 2020

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Abortive Gasp Hamburg, Germany

'Abortive Gasp' was an Electro Industrial group formed by lead singer Tim Paal and composer Harry Luehr in 1988 in Hamburg, Germany, later expanding to a trio.

In their homeland, the EBM-music- and post-Punk-scene, they were musically characterised by the atypical high degree in improvisation as well as the early application of Dub. Because of their apolitical position they were contentious. ... more

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