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Humanity

from Bullfrog by Abortive Gasp

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Electro-Industrial music, with its pulsating beats and synthesized sounds, encapsulates a unique auditory experience that often delves into thought-provoking themes. One such theme is "Humanity" or "Humanism," a concept that intersects intriguingly with the genre's mechanical and technological aesthetic.

Within the realm of Electro-Industrial music, artists frequently explore the essence of human existence in a world increasingly dominated by machines. The blending of harsh industrial sounds with electronic elements creates a sonic landscape that mirrors the dichotomy between human emotion and mechanized precision. This musical genre serves as a canvas for artists to contemplate questions about the human experience, identity, and the future of our species.

Much like Humanism's emphasis on individual worth and potential, Electro-Industrial music draws attention to the inner workings of the human mind and the complexities of our emotions. Lyrics often delve into themes of isolation, alienation, and the struggle to retain one's humanity in the face of technological advancement. The music becomes a conduit for artists to express the anxieties and aspirations of a society constantly grappling with the changing dynamics between humans and machines.

In a world where technology can sometimes threaten to distance us from our core values, Electro-Industrial music can act as a sonic reminder of our shared human experience. It bridges the gap between the mechanical and the emotional, encouraging listeners to reflect on what it means to be human in an increasingly digitized world. Just as Humanism seeks to celebrate human potential, Electro-Industrial music invites us to acknowledge our vulnerabilities while embracing the strength of our collective human spirit.

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from Bullfrog, released August 30, 2020

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Abortive Gasp Hamburg, Germany

'Abortive Gasp' was an Electro Industrial group formed by lead singer Tim Paal and composer Harry Luehr in 1988 in Hamburg, Germany, later expanding to a trio.

In their homeland, the EBM-music- and post-Punk-scene, they were musically characterised by the atypical high degree in improvisation as well as the early application of Dub. Because of their apolitical position they were contentious. ... more

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